Beverley Thomas Photography Blog

New Website Tour – Finding Your Way Around Beverley Thomas Photography

Thu, 18 Jun 2026 14:26:43 GMT

Finding Your Way Around Beverley Thomas Photography Website

Over the past few weeks I’ve completely redesigned my website from the ground up, creating the layouts myself and showcasing only my own photography throughout.

Based in Pembrokeshire, South West Wales, I specialise in wedding photography, property photography, drone imagery and creative storytelling, while also teaching photography and creative skills across Pembrokeshire schools and adult learning programmes. This new website brings everything together in one place.

The result is a website that’s easier to navigate, more visual and packed with everything I offer – from weddings and property photography to creative storytelling, published work and behind-the-scenes features.

If you’re visiting for the first time, here’s a quick guide to help you find your way around.

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1. Finding Your Way Around

The menu icon in the top left corner opens the main navigation and gives you access to every area of the website.

You can also return to the homepage at any time by tapping the Beverley Thomas Photography logo.

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2. About Beverley

Want to know more about the person behind the camera?

The About Beverley page shares my journey through photography, my experience, qualifications, creative work and the passion that continues to inspire me after more than 30 years behind the lens.

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3. Weddings

My wedding section is designed to help couples explore real wedding stories and see how I capture each part of the day.

Browse:

• Bridal Preparations

• The Ceremony

• Private Moments

• Celebrations & Dancing

• Albums

• Investment Information

You’ll also find published features, real wedding stories and plenty of inspiration throughout.

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4. Property Portfolio

Whether you’re marketing a luxury home, holiday let or commercial space, this section showcases professional property photography from across Wales.

You’ll find dedicated galleries for:

• Luxury Homes

• Holiday Lets

• Commercial Spaces

• Drone Photography

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5. Creative Photography & Published Work

This is where imagination takes centre stage.

From LEGO storytelling and miniature worlds to exhibitions, magazine features and published books, this section showcases my more creative side and some of the projects I’ve been fortunate enough to be involved with.

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6. Blog

The blog is where I share photography stories, behind-the-scenes projects, creative adventures, published features and website updates.

It’s regularly updated with new content and is a great place to discover more about my work.

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7. Kind Words From Clients

Nothing means more than hearing how photographs have impacted the people in them.

You’ll find reviews and testimonials throughout the website, and if you’ve worked with me before, I’d be incredibly grateful if you could leave a Google review.

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Ready To Explore?

Whether you’re planning a wedding, marketing a property, looking for creative inspiration or simply browsing, I hope you enjoy exploring the new website.

Ready to start exploring?

Thank you for taking the time to explore my website. Every photograph, story and page has been created with love, and I hope you've enjoy discovering a little more about my work.

See you around the website!

Beverley Thomas Photography ��

Photographer • Qualified • Creative Storytelling

Bev x

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Bug & Walter’s Snowy Wedding Story

Mon, 15 Jun 2026 17:19:19 GMT

A Winter Wedding Surprise

Saturday 3rd March 2018

Bug and Walter exchanged vows at Monkton Priory Church during March. What they didn’t expect was snow.

The winter weather created an unforgettable backdrop for their wedding day, adding an extra touch of magic to a date they had carefully chosen and instantly making their celebration one to remember.

�� Church: Monkton Priory Church

�� Venue: The De Valence, Tenby

�� Flowers: Shelley Webb

�� Videographer: Inspire Media

��‍♀️ Hair & Make Up: Cherell @ Glamhairous & MUA by Nicole Devereux

�� Videographer: Inspire Media

�� Photographer: Beverley Thomas Photography

The Details

Bug chose a stunning Justin Alexander fishtail gown from Emma Phillips Bridal. She added her own personal touches, including customised detailing and a personalised necklace that perfectly complemented her jewellery and tiara.

Beautiful orchids and roses created a cohesive look throughout the day, from the bridal bouquet to the venue décor. Floral arrangements decorated the reception tables, flower arch and buttonholes, bringing the entire celebration together.

Bridal Preparations

I have known Bug for many years and I always knew she was special. She comes from a wonderful family who would be there for anyone in need, so as you can imagine I was absolutely thrilled to be asked to capture their daughter's wedding day.

On the morning of the wedding, unexpected snowfall threw many of the day's plans into turmoil. The wedding cars let her down, and she found herself traveling to appointments that were originally scheduled to be conducted where she was getting ready. I even received a message asking if I was still coming. Of course, there was no snow that was going to stop me.

This was one of the most important days of her life, whatever the weather. When I arrived at the family home, a calm excitement filled the air, Laughter echoed through the rooms as hair was styled and final touches were added.

Surrounded by her bridesmaids, Bug enjoyed those final moments before becoming a wife. The bridesmaid dressed in elegant lace and chiffon gowns in matching styles, while the Maid of Honour’s dress featured distinctive mid-length sleeves, shared laughter and plenty of excitement while preparations continued around them.

Family At The Heart Of The Day

One of the most emotional moments of the morning came before the ceremony. Bug revealed herself to her father. Seeing his little girl ready to become a bride brought tears to his eyes and set the tone for the day filled with love and emotion.

Bug’s sister Natalie served as Maid of Honour, joined by sisters Katie and Janey. Along with cousins and friends as bridesmaids. Their support, laughter and friendship were woven throughout the day. Flower girls and page boys from both families helped make the ceremony especially meaningful, reflecting the close-knit nature of the couple’s relationships.

The Ceremony

Walter waited patiently surrounded by family and friends, the anticipation built. Then at 2.30pm the doors opened and Bug appeared, ready to begin the next chapter of their lives together.

The ceremony was filled with smiles, laughter and heartfelt emotion before they were finally announced as husband and wife.

Portraits at Monkton Priory Church

Nestled in the heart of the Pembroke, Monkon Priory Church provided the perfect backdrop for romantic portraits. Between celebrations we explored the grounds and surrounding area, capturing relaxed moments together as newlyweds.

A Reception To Remember

The celebrations continued at The De Valence, where guests enjoyed a buffet meal, magician, face painter, twin chocolate fountains and even an ice sculpture featuring the couple’s names.

The atmosphere was relaxed, joyful and filled with laughter throughout the day and evening.

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One of Bug’s favourite moments was sharing their first dance to John Legend’s So High.

Another emotional highlight followed shortly afterwards when she shared a special dance with her father, creating a memory she still treasures today.

Overcoming The Unexpected

Not everything went exactly to plan.

The snowy weather meant their wedding cars were unable to attend, so Bug’s father stepped in, decorating his white Jeep with ribbons and driving the bride to the ceremony himself.

Sometimes the unexpected moments become the most memorable.

Favourite Memories & Advice

When asked about her favourite moments, Bug chose two: their first dance and cutting their six-tier wedding cake. And she gives advice to other couples planning their wedding day.

“ Don’t stress. The more you stress, the worse you feel.

Make sure you get a good night’s sleep and remember that if something doesn’t go to plan, it doesn’t have to spoil your special day.”

Featured on the Front Cover

One of my favourite covers to date. This portrait of Bug & Walter was chosen for the front cover of the Tenby Observer Wedding Planner.

Captured during the evening celebrations at The De Valence, Tenby, this image perfectly reflects the warmth, love and joy that surrounded them throughout the day. It remains one of my favourite photographs and a cover I am incredibly proud to have created.

Seeing it featured on the cover was a wonderful way to celebrate a couple whose warmth, resilience and love shone through every moment of their day.

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"Our photographer was

Beverley Thomas Photography.

She was amazing. My photographs are stunning and I love every single photograph.”

��

Words like these mean the world and remind me exactly why I love documenting weddings.

Thank you for inviting Beverley Thomas Photography to be part of your wedding day. It was an absolute privilege to capture your story, and I wish you both a lifetime filled with love, laughter, happiness and many more unforgettable adventures together.

Congratulations, Mr & Mrs Lovell.

Bev x

Planning Your Own Pembrokeshire Wedding?

If you are looking for a relaxed, storytelling wedding photographer in Pembrokeshire, or anywhere across Wales, I'd love to hear about your plans.

As Seen in the Tenby Observer Wedding Planner

Sun, 14 Jun 2026 20:54:28 GMT

As Seen in the Tenby Observer Wedding Planner

Introduction

For over a decade, my wedding photography has been featured on multiple Tenby Observer Wedding Planner front covers and editorial features.

Each publication celebrates real weddings across Pembrokeshire and West wales, combining couples' stories with a selection of my photographs.

Seeing my work published alongside so many wonderful couples remains one of the proudest chapters of my photography journey.

Featured on multiple front covers, editorial spreads and

expert advice features between 2014 and 2026.

Ask the Expert -

Wedding Photography

Alongside wedding feature and front cover, I was also invited to contribute as an expert voice within the Wedding Planner publications.

In this feature I shared advice for couples choosing their wedding photographer, discussed wedding trends and explained my approach to documenting weddings through natural storytelling and authentic moments.

Being asked to contribute professionally alongside my published wedding photography was a particular honour and reflected the trust placed in my experience within the local wedding industry.

I remain incredibly grateful to every couple who trusted me to tell their story, and to the Tenby Observer Wedding Planner team for helping showcase weddings throughout Pembrokeshire and West Wales.

Beverley Thomas Photography

Use The Negative to Develop

Thu, 26 Aug 2021 12:53:00 GMT

Firstly, I must apologise the lack of updates on this blog but then again who actually reads? Times have been up and down to say the least, and that has played with my mental well being, especially when it has come to my photographic practice. For many years, I have concentrated on giving 100% to my passion and this is my source of income as a professional photographer. However, the pandemic has made me stop and think about sustainability within the photographic industry and just what is it all about and for what?

Life is like Photography

There’s that photographic quote “Life is like photography, you use the negative to develop” or at least that’s what it used to be like in the good ole days of film. That’s when photography really stood out as crafted technique. Nowadays, there are millions of people around the world who now use digital tools whether it is a camera or a smart phone device and life is captured in an instance. Nothing wrong with that, it’s how photography evolves.

We are constantly creating and exposing everyday mundane aspects of our lives disseminating them second by second onto social media platforms for the world to see, thus making the photograph ubiquitous. What is interesting during this digital age of reproduction we are now open to interpretation more than ever and original works of art rare.

Interpretation

On the negative side, I feel consumed by the amount of images presented to me. These images are all simulating a formula of different ideologies. And not only do we live in a sea of images but over the years I have seen an influx in “photographers” and citizen journalism. What that means, is that we can now be present anywhere in the world without even being there. However, being there means you get to capture the moment that potentially gets noticed by industry professionals, even if it is considered not a work of art. But you captured something no one else did. Therefore, I question where does skill, experience and a lifelong dedication fall into place these days?

You might argue, her thoughts stem from negativity to anyone taking photographs and you would be so wrong. I am just merely pointing out observations that has caught my attention over a period of time. To support my opinion, there are many photographers who’s work is incredible and often goes un-noticed perhaps due to a weak intent, then there are those who shout from the roof top with a strong intent and rather a weak image. Where do we draw the line and see the photographic image for the art it is?

On the positive side the digital possibilities are exciting. Learning to adapt and embrace the medium, and to give clear intent as a creative photographer. I have developed the ability to tell stories and the skills to post-process my own work using the digital darkroom.

Promoting & Featuring

When I see similar genres featured in photographic magazines, online and in articles. It raises my awareness that the work I create needs a lot of interaction to help promote it. However, as many photographers are paying to have the chance to feature in such things as ‘open calls’ and ‘online galleries’, I wonder if money wasn’t an object would I do the same? After all, many of those featured are seen by industry professionals.

With self-promotion in mind. For those who follow my Instagram @bevvypix may have recently seen the feature in The Tenby Observer about how a “local photographer turns her skill into a fascinating story.” And featuring doesn’t stop there as the Stuck in Plastic team have been included in The Hermitage Amsterdam. Plus we ( SiP) /I have been featured on many occasions by our dear friends at The LEGO Group on there social media platforms.

To bring inanimate objects to life is an amazing skill and the LEGO Group certainly recognise this. And yet, I personally feel this skill often goes unrecognised outside of the toy photography world. Saying that, perhaps as some adults get older, they forget the importance of play and their creative imagination slowly diminishes with time.

For me, toy photography has provided me with wider opportunities to be able to showcase my work on various platforms. Honestly, you don’t have to understand my reasons for choosing this endearing subject, you just have to look at incredible photographs and ask yourself are you or could you be inspired?

Source

Talking of paying to have a chance to be seen in by industry professionals. I entered eight images to Source Magazine from my post graduate final major show at the Falmouth University Institute of Photography. As part of my Photography Degree, I created a series of photograms and the results can be viewed at Source Graduate Photography Online 2021 . Will they ever attract global attention, who knows? And more to the point who else really cares? All I know is that I am very pleased to have the opportunity to be featured. And truth be told, they are pretty impressive printed on a larger scale.

During my degree, even thou I produced this body of work in a physical exhibition, the decision to create my own online gallery allowed the viewer to virtually walk around and enjoy the artwork. Link to the virtual gallery can be found via over at Beverley Thomas Photography website Photosynthesis

Even thou I have a variety if different bodies of work some are yet to be seen, that bothers me and I raise the issue of why they not being notice? Sometimes I think it isn’t the actual work, its about the lack of support. That lack of support as I negatively suggest, is represented by uncredited work on platforms such as Facebook, from education sectors overlooking my capabilities and financial support to enter so many contests.

On the positive side I am truly grateful to The LEGO Group, my team at Stuck in Plastic for the opportunity to grow and develop, and to my local newspaper for featuring my work on a regular basis.

A selection of my work can be discovered on https://linktr.ee/Bevvypix

Artifact

Wed, 14 Apr 2021 16:42:00 GMT

Can a Photograph be an Artifact?

Photographs are not just images; they are physical artifacts. The physical form of the photographic image, prescribed by prevailing technology, determines what can be photographed, how it can be displayed or published, how it can be encountered by others, how it can circulate through public culture.

One could ask, can a photograph be an artifact? Eventually an image will becomes a historic relic and data witnessed through the camera, will sooner or later have changed over the persistence of time. Not to mention with the evolution of technology, the objects produced or shaped by humans will, in reality, become part of our history.

When I started putting this series together I knew that Light and Shadow was going to dominate objects produced or shaped by human craft. Each photograph consists of views that I have witnessed on my journey and felt connected to in one way or another.

At the same time, these locations and objects have not only been seen through my camera. In fact, they have been visualised by many others on their own journey. To put it differently, these artifacts were out there in the public domain, passed by everyday, and yet they compelled me to stop, observe and record their existence.

A Record of Existence

Today we live in a world dominated by social media and with that comes a sea of photographic images. Photographs suggesting the existence of people and objects proving a record that we were there. Moreover, this form of record provides information that has been witnessed in a particular moment of time.

The photographic image has evolved and nowadays it is relatively easy to take a photograph and share it across different digital platforms. However, the very first photograph or at least the oldest surviving photograph was taken by Joseph Nicéphore Niépce in 1826 or 1827 and it was not so easy, it relied on the right light, the correct time exposure and the apparatus.

For this reason, it is important to realise the three basic elements of photography Aperture, Shutter and ISO. Then we have the elements of composition, these include Patterns, Symmetry/Asymmetry, Form, Texture, Colour, Shapes and Space. As a photographic artist, I use my knowledge and awareness of these different elements. And this helps me convey the intent of my photography and provide a record the subjects existence.

Nowadays, the camera records images instantaneously and the operator can just press the shutter to record that fraction of a second. Furthermore, what was once a skilled art form has now become ubiquitous amongst many. The invention of photography has revolutionised communications and cultures forever, changing everything in the visual arts and our vision of the world. As a result these artifacts/photographs can be viewed from the past, providing more access and social media has enabled images to be mass-distributed often as digital images.

To see this series please follow Instagram.com/beverley_thomas_photography/

A Creative Collective - Stuck in Plastic

Sat, 13 Mar 2021 13:13:00 GMT

Redirect to the Stuck in Plastic blog

I wanted to introduce the toy photography work that I am involved with. This is a collaboration with the wonderful team over at Stuck in Plastic (SiP Link) .

Back in 2018, having been on Instagram for about a year and a half. My photography was getting noticed by the Stuck in Plastic crew. You see, I had joined in 2018, #Sipgoes52. This was 52 weeks containing 52 words given each week. The task was to creatively put those words into pictures that related with your own interpretation. At the end of this project I published a book, and it can be viewed here … https://issuu.com/b3vbev/docs/legolife_52v

In June 2018, the team asked me to be a feature guest and introduce myself explaining who I was and the reason why I started shooting toy photography. As you can imagine, I was thrilled to have been asked and you can read my story via the blog post (Link) .

Inanimate Object

I became involved in toy photography by accident really. I was in the process of completing a Bachelor of Arts in Photography and this study helped me reflect on my photographic practice over the years. In retrospect, back in 1996 I had been studying at the same University, Carmarthen School of Art at HND level, and I remember vividly one of the projects given was to photograph an Inanimate Object. Inexperienced, I had no idea what I was going to shoot, let alone my creative output was, well very much thought of inside a box.

I set myself a challenge and in 2016, I started shooting toy photography. Ironically, I played with Lego as a kid, so how I never thought to use this was something that resonates with me to this day. Perhaps, if I knew then, what I know now! but then hindsight is a wonderful thing.

During that same year, I produced a series of images using a LEGO minifigure version of myself as a way to pay homage to Sherman’s work. I recreated her original images using the minifigure as a stand-in for the artist. Not an easy task, as I was limited to certain positions. Three years later, I messaged Sherman some pix and she said, “love the LEGO images” which is incredible and a real compliment. In 2019, I was fortunate to visit the Cindy Sherman exhibition at the National Portrait Gallery in London. It was incredible and inspiring to see her collection together. Her work will continue to inspire artists around the world for many years to come.

But just who is Cindy Sherman , you ask? Well she happens to be one of the most influential, important contemporary artists of our time. Her body of work consists of photographs from the mid-1970s to present day. Sherman is famous for her use of makeup, costumes, props and prosthetics to create complex and ambiguous photographic self-portraits. She invents fictitious characters and photographs herself in imaginary situations.

Many people will not understand Cindy Sherman or LEGO building, and that’s ok. That being said, what they do not realise is that toy photography can be challenging at times, pushing your creativity to the limits, whilst also being fun, engaging and rewarding.

Collaborative Work

In 2019, the Stuck in Plastic crew were sending me products to review and I began writing blogs for them. The latter part of that year, the team invited me to become a valued member of the crew and to this day, I continue to write blogs, review products and as a result of this collaborative work, many of my images have been shared by The LEGO Group on their official social media.

The Stuck In Plastic Collective

Who are we?

We are a creative collective of toy photographers rooted in the old continent of Europe. Our crew can be found from the south of France to the north of Finland (Current crew has roots in France, Belgium, Sweden, Finland, Germany, Netherlands and the United Kingdom).

What do we do?

We take pictures of toys.
We organise once a year a toy photography safari weekend in Europe.
We organise once a year a real live exhibition around the World.
We participate in various LEGO events around the world with Pop Up Art exhibitions and photo seminars.
And we are always open for new collaborations.

Why do we do it?

That is a good question.
And has been the title of a series of blogpost .

And while the inner drive off every photographer is different, we all like our toys. We like to take our toys out for epic photoshoots in the studio or out in the field.

We like to tell stories. And we like to share our adventures with the world.

Both with other photographers and people who like to enjoy our work on the screen or printed big in art galleries and board rooms alike.

See you online or in the real world.

The SiP Crew

Creative and Challenging

We started off 2020 building from a team of five to eight members. At the time I was in my final year of a Masters Degree with Falmouth University and working self employed, then the global pandemic hit the world and my practice. This changed how my MA work in progress was able to proceed, and yet my toy photography was able to continue in my home studio. I was not only researching for my academic studies, but I was now also looking at other practitioners who were shooting toy photography.

The main reason for my connection to this endearing product is because I am passionate about photography, and I love seeing creative imagery. This genre not only allows me to show my creativity, it is also challenging and this continues to excite me.

During that year, Stuck in Plastic kept me creatively active and I adore the crew for given me the opportunity to continue to develop and grow in this genre of photography. However, with growth comes more interaction and this sometimes leads to our work being used without our permission. Therefore, I recently wrote a post explaining the issues surrounding Copyright, you can read it here (Blog Link) .

Our collaboration continues with The LEGO Group and we look forward to the exciting projects and exhibitions we have coming your way throughout 2021.

If you haven’t yet clicked on the links yet … please do!

Find us on Instagram at https://www.instagram.com/stuckinplastic/

Carbon Black

Sun, 21 Feb 2021 14:09:00 GMT

Having grown up in the 70’s, I thought I could find some old photographs from this time in my life but sadly, I have been unable to locate any and that makes me recall little moments that stand out in my vivid memory which helps me write this post.

From a young age I remember visiting my mother’s uncle Arthur in Tarpoley. He was my grandads brother and he had relocated from the North East to a large village in Cheshire. He lived in a cottage with an adjoining large garage that housed HGV wagons. Although I cannot remember the inside of the property all that well, I do remember the porch being filled with crane flies or as I call them daddy long legs, they were forever attracted by the outside light. To this day, I am not phased by these flying insects and I fondly rescue them if they ever fly into my own home. Uncle Arthur had a guard dog, an Alsatian known as Nip, and boy could he give a nasty nip to anyone who entered the site. My father tells me the story of how I used to sleep on Nip and one day my father went to pick me up and Nip growled at him so he left me continue sleeping in the protection of Nip.

So what has all this got to do with this series of work? Well its all connected. Uncle Arthur drove the wagons, he would transport the cargo to various destinations and I would get to ride up front in the cab. There was a space between the front seats where I could place a pillow and make a comfortable seating area. As a child, you can imagine the excitement riding upfront, I could see the world from a perfect view point.

Carbon Black

Carbon Black’ This series focuses on my love of fuel stations and the connection that they had on me as a child. Travelling in the cab of my great uncle’s HGV wagon. I have fond memories of that time and recall the smell of diesel, perhaps this is one reason why I am obsessed with petrol stations. As a child I did not know what he was transporting. And years later I was told it was carbon black.

Carbon black comes from long term exposure to sunlight leading to the degradation of surface materials resulting in a deterioration of physical properties, changes in color or chalking. It’s produced by the reaction of a hydrocarbon fuel such as oil or gas with a limited supply of combustion air at high temperatures. Usually obtained as soot from the partial combustion of hydrocarbons, and used principally as reinforcing agents in automobile tyres.

Photography can transform light and time into something physical and I am drawn to the way the light illuminates the surface of the forecourts, especially in the black of night. Statistics reveal that in 2020 the United Kingdom was home to 8,380 operational petrol stations and those under development. However, this landscape will change over time as we aim for a greener planet, eventually the petrol and diesel pumps will be replaced by electric charging points and all that will remain will be photographic evidence. Photography allows us to tell our story and shows others our framing of the world around us. As photographs play an important role in everyones life, one day these images may play a part in our legacy.

Altered Landscape

Mon, 15 Feb 2021 14:19:00 GMT

In the search for the ideal image it became evident that I had seen everything before and I wanted to produce something different. My intent was to take image manipulation further away from the real but I was also aware this could come with some critic good or bad.

Everyday we see an abundance of mundane classical black and white landscapes that are clear examples of what is continuously presented. I do not argue that this is a bad thing they are indeed visually pleasing. Needless to say, one could argue are these images suggestive of being authentic?

Image Manipulation

Image manipulation has been used throughout photographic history, for example; Ansel Adams image ‘Moonrise Hernandez.’ Adams dogged and burned the sky to produce a more dramatic look changing the original aesthetic in which the image was first viewed. It is often argued that image manipulation lacks authenticity, to manipulate ones image changes one reality and it is often thought the image is not genuine. I have learnt to make clear distinctions between the real and the unrealistic approach. However, I wanted to transform the mundane into magical cinematic dreamscapes transforming the alternative realities. Does this approach of manipulation lack authenticity?

Constructed Reality

Evidently the beauty of a landscape is originally presented to us as an array of colours, so by changing the aesthetics into black and white, we have unconsciously already made an informed choice of manipulation. However, this kind of manipulation is normality and accepted simply because our audience has witnessed it on so many occasions. My perception and intuition tells me to explore these scapes in different ways and change expectation.

As I construct the reality, I began to transform it, thus allowing myself to have artistic freedom in my personal work and use my creativity to witness a different viewpoint.

Altered Landscapes

Driven by intuitive impulses aiming to transform arbitrary places into audacious and cinematic landscapes caught between fact and fiction. I saw beauty in the mundane, and by provoking an alternative reality. These visual conceptual conversations exposed the chaotic tension between light and dark.

‘Altered Landscapes’ looks at creating alternative realities that break away from typical pictorial photographs that we become accustomed to seeing. These dark romantic places connected to home, resemble bleak and uneasy post apocalyptic landscapes that are nevertheless indescribably beautiful.

This raises the questions to whether the camera records or creates the reality. However, we cannot produce the real no matter what we try to do, because that real moment has passed in a fraction of a second. We can only recycle it in a way that we perceive.

Reenacting the narrative, enabled me to tell a different story and the decision to transform these arbitrary places into cinematic dreamscapes depicting a different perspective that was unfamiliar to our way of seeing. I opened a door into my personal fiction inviting you into an imaginary world.

The Landscape enables the opportunity to bring the vernacular to this body of work. However, these destinations attract tourism and exhibit more than charming views, visited by the preoccupied looking for beauty, in turn creating a metaphor of death. Death replicated so many times leaving no space for ambiguity to further thought and feeling. This allowed me to put into context the world pandemic known as Covid-19.

In retrospect, I can see that my work is not necessarily representative of death in a physical form. It is about dramatic transformation. Just as the Raven symbolises. Interestingly, I begin to delve deeper into the Raven meaning as a spirit animal. The addition of the raven brought symbolic meanings and new perspectives that delved into the realms of my unconscious. Ravens have a very distinctive voice and a vast vocabulary, they remind me to stay true to my voice.

Exp 21 Homeland

Sat, 13 Feb 2021 17:20:00 GMT

Having successfully completed my MA, I began to turn my focus on reflecting over my time at Falmouth University’s Institute of Photography. What became very evident is that my work is now informed and my intent is clearer than it was.

When I started the MA, I knew that my work would cause me confusion and that was projected through my writings. You see, I shoot many different types of photographic genres and I believe that I have always been an instinctive photographer. However, since delving deeper into the realms of my subconscious, now reveals the source of my personal intent.

The Closure of the Coal Mines

As a child, growing up in the 70’s and living in the North East until the age of 7. I remember my father working at the Westoe Colliery, it dominated the landscape. The pit had the tallest tower that I had ever seen and stood out by miles with its dominating red colour. On the ground it was surrounded by concrete buildings that were fixed together by numerous different shapes and the blackest coal.

The North East region was once famous for the mining of its coal. However, in the two decades from 1950-1970 around a hundred North East coal mines were closed often with shattering consequences for small mining communities which relied on coal mining for work. Westoe Colliery was no exception as years later it was also due to close. Upon closure, the pit was demolished and a few years later redeveloped into housing.

In 1979, my father had the opportunity of employment in South Wales. He took up this offer, knowing that the pit was planned for closure, so my family relocated to picturesque Pembrokeshire. My Geordie family remained in the North East and we would regular visit the homeland on our school holidays. Although my father settled in well in his new job at the local refinery, my mother often felt homesick and she longed to return home.

The Long Journey Home

In 1985, my parents marriage broke down and my mother moved back to the North East, leaving my sister and I in the life that we had become to have accepted as our forever home. Nevertheless, we continued to make the long journey to visit her, very often sitting on the National Express bus for thirteen hours. During those years I got to witness the British landscape changing due to new motorways being, to accommodate the influx of vehicles using these routes.

Years later, when I could drive, my sister and I would make the journey often during the darker hours, when there was less traffic and knowing we were amongst the safety of the commuting HGV drivers.

Exp 21 Homeland

I began to re focus and question my intent, I usually keep personal things very close and although this period of time was filled with happiness, there was still that part of me angry that my mother had left. I began to allow myself to critically analyse my subconscious and this has enabled me to develop this series into ‘Exposure 21 Homeland.’ My sister and I continued this journey on a regal basis until I reached the age of twenty one.

Originally these images were processed as colour photographs, but as my intent changed, so has my aesthetic choices and I found myself drawn to the black and white process, which in hindsight, emulates the blackest coal and the reason why we relocated. This journey helped me emerge through the darkness, as I began to reveal a past influenced and intertwined between two homelands in twenty one exposures.

Kayleigh & Mark's Wedding Story

Sun, 26 May 2019 15:29:46 GMT

At The Wolfscastle County Hotel & Spa, Pembrokeshire

Wedding Day 24th May 2019

A joyful spring wedding filled with rose gold details, emotional family moments and endless laughter. From the morning preparations through to the celebrations, every part of the day refelected Kayleigh and Mark's warmth, personality and love for family.

�� Venue: The Wolfscastle Country Hotel & Spa

�� Flowers: Flowers by Quita

��‍♀️

�� Photographer: Beverley Thomas Photography

The Details

Before the excitement of the ceremony began, I spent time capturing the carefully chosen details that would become part of Kayleigh and Mark's story. Rose gold sparkles, beautiful blooms and meaningful keepsakes all reflected the elegance and personality of the day.

Something old, something new, something borrowed and something blue ...

there was nothing blue about this wedding, it was pink from beginning to end.

Bridal Preparations

I met Kayleigh two years ago when she started wedding planning, turned out that I know her mother and father very well but as the years went by our connections had gone in different directions. But I always knew they were a special couple who if ever my family needed them that they would be there for us, so as you can imagine I was absolutely thrilled to be asked to capture their daughters wedding day.

On the morning of the wedding, there was a calm excitement throughout the hotel as hair and make-up were completed and final touches were added.

The bridesmaids looked stunning in sparkling rose gold gowns while Kayleigh wore an elegant gown with a catherdral-length train. Vintage roses and peonies completed the look perfectly.

A Father's Favourite Walk

One of the most emotional moments of the morning came before the ceremony. Kayleigh gifted her father a pair of cufflinks engraved with the words:

"Of all the walks we have had, this one is my favourite"

A simple gift, but one that carried so much meaning as they prepared to walk down the aisle together.

The Ceremony

Mark waited patiently surrounded by family and friends, the anticipation built. Then at 12.30pm the doors opened and Kayleigh appeared, ready to begin the next chapter of their lives together.

The ceremony was filled with smiles, laughter and heartfelt emotion before they were finally announced as husband and wife.

Portraits at Wolfscastle

Nestled in the heart of the Pembrokeshire countryside, Wolfscastle provided the perfect backdrop for romantic portraits. Between celebrations we explored the grounds and surrounding area, capturing relaxed moments together as newlyweds.

Unexpected Guests

With both Kayleigh and Mark celebrating birthdays alongside their wedding day, there was even more to celebrate. With a surprise nobody saw coming.

Knowing howwmuch she adored llamas, Kayleigh arranged for some special guests to join the celebrations. As the animals arrived, guests gathered with excitement, eager to meet them and capture a few memorable photographs.

The surprise brought plenty of laughter and quickly became one of the highlights of the day. Even the llamas seemed to enjoy being the centre of attention.

For me, one of the most memorable moments came when Kayleigh kindly stepped behind the camera to take a photograph of me with the llamas. It was simple but hilarious moment that perfectly reflected the warmth, fun and personality that made this wedding so special.

☝️ Above Image from one of the guests sent to me from Kayleigh.

�� Below image by the bride Kayleigh

A Perfect Day

Kayleigh and Mark are truly surrounded by people who adore them, and throughout the day it was clear just how loved they are. From the emotional moments to the laughter shared with family and friends, every part of the celebration reflected the warmth and happiness that defines them as a couple.

As the evening celebrations continued, I left knowing I had witnessed something very special.

Congratulations, Mr & Mrs Williams.

Bev x

Planning Your Own Wedding?

New If you are looking for a relaxed, storytelling wedding photographer in Pembrokeshire, or anywhere across Wales, I'd love to hear about your plans.

MASTERS DEGREE

Mon, 15 Apr 2019 19:25:28 GMT

Masters Degree blog update

Since starting my MA program, I am required to keep a critical research journal in the form of a written document, so I have created another blog on Wordpress which I will continue to update on a regular basis. I have completed the first module and I am now looking at the second module.
This blog at https://beverleythomasphotographydotcodotuk.wordpress.com is being made as part of an accredited educational programme.

Alternatively I will be posting images in the MA Photography section here on my website
http://www.beverleythomasphotography.uk/ma-photography

Wedding Photography Information

Tue, 12 Jun 2018 10:24:35 GMT

Everything you need to know about Wedding Photography by Beverley Thomas ...

Welcome to our wedding information blog. So you have been together for many years, recently got engaged and are now in the process of organising one of the biggest days of your life, your wedding day. You have found a venue to hold your special ceremony and you have found a place that suits your needs when it comes to inviting all your guests to celebrate and share your day with you both, so what's next? ... You are looking for someone to capture those special moments and provide you with all the little details that has taken you so long to put together, because I know that you have spent hours on Pinterest looking for that perfect table display, looking at inspiration for flower bouquets and even looking for that perfect dress. Every little detail counts to give you what you have dreamed about.

If I could give you one word of advice after all that planning, make sure you get photographs that you can look back on in years to come and see just what you achieved. This day will be one to remember for the rest of your lives together and what better way to recall the past is with photographs. Here at Beverley Thomas Photography, we like you to have the best experience with minimal fuss in order to capture all those moments that may be forgotten to memory. With that in mind Beverley has put together a wedding brochure with everything you need to know, she also recommends that you meet your photographer and discuss your requirements, because after all we are all different and just how do you choose from all the photographers in the wedding industry. You ask yourself what exactly are you looking for because you can get cheap, you can get expensive but what it should come down to when choosing your photographer, is that picture which speaks a thousand words not your budget, don't you think?

Our Signature package is our most popular covering everything you could possibly think of. Our wedding albums are selected using the highest quality in the wedding industry, shipped to us direct from Italy and you can be reassured that you will receive the best of your story. Although the wedding album packages can include a USB, we appreciate that you have a budget and you may decide you just want digital files, so here at Beverley Thomas Photography we now offer USB only packages priced at £895. These packages with include ceremony coverage and approx 2 hours coverage with around 40 images which you will be able to print from at your own cost. Should you wish to order an album at a later date then this is possible at extra cost along with handling fees. The choice is now yours.

For more information https://www.beverleythomasphotography.uk/wedding1
View our gallery please follow the link Wedding Gallery

You are investing in your lives together and this is why we provide a variety of different services catering for all budgets. We would like you to share these memories with loved ones either in the past, present or future and by turning the pages to relive your memories over and over again

If you are looking to Contact Us , please complete the email form and we can let you know if your chosen date is available (*All the information you provide us will only be used to answer your enquiry, please read our privacy police should you have any queries with regards to how we process your data. http://www.beverleythomasphotography.uk/privacy-policy )

Thank You and look forwards to hearing from you.

Bev

bevvypix goes 52

b3vbev@hotmail.com (Bev Thomas) — Sat, 09 Jun 2018 10:52:40 GMT

https://www.stuckinplastic.com/2018/06/meet-beverly/

1/52 Creativity

January 2018
I use Instagram to post little lego me Bevvypix and recently was asked to complete some questions and to be featured on Stuck in Plastic's blog. Gaining more exposure on social media is hardworking so being asked to be showcased in there Feature Friday was great. To read about the interview please click on the link, this will take you to their page where you can read my interview along with others https://www.stuckinplastic.com/2018/06/meet-beverly/

Thank you Stuck in plastic for allowing me to join in this year, I look forwards to completing the challenge.
Bev

During 2018 I was chosen as runner up in the SIP competition more info here https://www.stuckinplastic.com/2018/06/quarterback/

January 2019
So just to follow up on the last blog from the first to the last. I am pleased to say that I completed the challenge 52 words/values each week for one whole year.

52/52 Family

2018 sees the end of Stuck in Plastic Goes 52 challenge. That was 52 words/values using toys to express the meanings. Be sure to check out @REITERLIED review https://www.stuckinplastic.com/2019/01/looking-back-at-sipgoes52/

Since shooting toy photography, I have become an active member of Stuck in Plastic and featured in selected review sets, one in particular Harry Potter mini figures https://www.stuckinplastic.com/2018/08/beverley-goes-harry-potter/ and recently shooting the Overwatch series before release date.

One more shoot I am super proud of, is when I was asked to shoot for TLG and the release of the Classic Cars sets. I received two cars, the Aston Martin DB5 and the Mini Cooper, you can read all about this shoot via the link https://www.stuckinplastic.com/2018/12/for-your-eyes-only/

The Mini Cooper featured on the official Lego Instagram page.

The Aston Martin DB5 featured on the official Japanese Lego Page

Jamie & Tori's Story

Tue, 07 Nov 2017 18:27:38 GMT

Featured in the Tenby Observer Wedding Planner

For many years my wedding photography has appeared on multiple front covers and editorial features within the Tenby Observer Wedding Planner publication.

The Wedding planner invited real couples to share their wedding journey, favourite memories and advice for future brides and grooms. Their stories were combined with a selection of my photographs and professionally designed into magazine-style features that become treasured keepsakes.

"One of my favourite Wedding Planner features showcased Jamie & Tori's beautiful Pembroke Castle wedding, originally published in the Autumn 2017 edition."

Here I share Jamie & Tories Wedding Planner Story.

New Paragraph

Thank you

This feature would not have been possible without this wonderful couple who generously shared their story and allowed their photographs to be published.

Thank you for trusting me to capture one of the most important days of your life and for helping inspire future bride and grooms through the Wedding Planner feature.

Being a part of your wedding journey was an absolute privilege, and I remain grateful to you both for allowing me to capture such special memories.

With love and thanks,

Bev x

Rock The Castle 2017 | Official Event Photography at Pembroke Castle | Beverley Thomas Photography

Wed, 19 Jul 2017 20:55:08 GMT

The Fratellis and Top Loader Headline Rock the Castle at Pembroke Castle

Rock The Castle 2017 transformed Pembroke Castle into one of Pembrokeshire's most exciting live entertainment venues, featuring music, theatre and family performances across an unforgettable weekend. As Official Event Photographer, I was invited to document the performances, backstage moments and atmosphere that brought thousands of visitors together in one of Wales' most iconic historic locations.

Headlined by The Fratellis, alongside Toploader, WE-ARE-Z and local band Vicetrack, the event transformed the historic castle grounds into one of Wales’ most unique outdoor concert venues.

As Official Event Photographer for Pembroke Castle, I was invited to document the performances, atmosphere and excitement throughout the festival.

Photographing Live Music at Pembroke Castle

From energetic crowd scenes to dramatic stage performances, the weekend offered countless opportunities to capture the spirit of live music against the spectacular backdrop of Pembroke Castle.

Photographing live events requires anticipation, timing and the ability to react quickly to constantly changing light and movement. My aim was to capture not only the artists on stage, but also the experience shared by everyone attending the event.

The Fratellis Live

The Fratellis delivered a memorable headline performance, entertaining a packed audience beneath the castle walls. Their energy on stage and connection with the crowd created some of my favourite photographs from the weekend.

A Weekend to Remember

Rock The Castle remains one of the most enjoyable events I have photographed. Combining music, history and community spirit, it showcased everything that makes events in Pembrokeshire so special.

Toploader Live at Rock The Castle

Toploader brought their unmistakable energy to the Rock The Castle stage, delivering a crowd-pleasing performance that had festival-goers singing along from start to finish.

As the evening light faded and the stage lighting intensified, the performance provided fantastic opportunities to capture the atmosphere of a live music festival inside the historic surroundings of Pembroke Castle.

From dramatic lighting and crowd reactions to the musicians’ connection with the audience, these photographs aim to preserve the excitement and emotion of the performance rather than simply document it.

WE-ARE-Z

WE-ARE-Z brought something completely different to the Rock The Castle line-up. Their energetic stage presence, colourful personalities and distinctive style made them one of the most visually engaging acts of the weekend.

From dramatic stage lighting and expressive performances to candid backstage moments, they provided endless photographic opportunities throughout their set.

One of my favourite moments came after their performance when I had the chance to photograph the band together against the backdrop of historic Pembroke Castle, creating a portrait that perfectly captured the spirit of the festival.

The Bootleg Beatles at Pembroke Castle

Saturday evening saw The Bootleg Beatles take to the stage at Rock The Castle, bringing a celebration of one of the world’s most iconic bands to the heart of Pembroke Castle.

From a photographer’s perspective, the performance was a dream to capture. The attention to detail in the costumes, instruments and stage presentation created images that instantly transported the audience back to the 1960s.

As daylight faded and the stage lights illuminated the castle walls, the atmosphere became electric. The combination of live music, historic surroundings and an enthusiastic crowd created some of the most memorable photographs of the weekend.

One of my favourite images from the event is the black and white photograph below, which captures both the energy of the performance and the scale of the audience gathered inside the castle grounds.

The Bootleg Beach Boys

Opening the evening alongside The Bootleg Beatles, The Bootleg Beach Boys brought sunshine, colour and a completely different atmosphere to Pembroke Castle.

Their vibrant stage outfits, energetic performance and interaction with the audience made them a fantastic subject to photograph. Against the backdrop of the medieval castle walls, the contrast between California-inspired beach culture and one of Wales’ most historic landmarks created a unique visual story.

Throughout the performance, the crowd embraced the feel-good atmosphere, singing along and enjoying a nostalgic celebration of some of the most recognisable music ever written.

One of my favourite images from the evening was this portrait taken backstage, capturing the band together moments before returning to the stage.

Photographing Horrible Histories

As Official Photographer for Rock The Castle 2017, photographing Horrible Histories Live on Stage provided a completely different challenge from the music performances that filled the rest of the weekend.

The colourful costumes, theatrical expressions and fast-moving action demanded quick reactions and careful timing to capture the humour and personality of each scene.

With Pembroke Castle providing a fitting historical backdrop, the performance created a wonderful combination of education, entertainment and visual storytelling that translated beautifully through the camera

Last but not least Preseli Pete and the Merrymakers Band, A unique band with a unique look. Playing a blend of skiffle, comedy numbers, reimagined pop sings and original material Preseli Pete and the Merrymakers Band feature tea chest bass, kazoos, washboard, melodica, guitar, bass and four part harmony vocals, they certainly had the crowd entertained.

Rock The Castle 2017 – A Weekend To Remember

Set within the spectacular surroundings of Pembroke Castle, Rock The Castle 2017 brought together live music, theatre, history and thousands of visitors for an unforgettable weekend.

As Official Photographer for the event, I had the privilege of documenting everything from headline performances and backstage moments to crowd reactions and the atmosphere that made the festival so special.

What struck me most was the incredible amount of work undertaken behind the scenes. From event organisers and stage crews to security staff, performers and volunteers, countless people contributed to creating a safe and memorable experience for everyone attending.

The images featured throughout this gallery represent just a small selection of the photographs captured across the weekend. Together they tell the story of an event that celebrated music, entertainment and community within one of Wales’ most iconic landmarks.

I remain incredibly grateful to Pembroke Castle and the event organisers for inviting me to be part of such a fantastic occasion.

Beverley Thomas

Official Event Photographer – Rock The Castle 2017

⸻

Featured In The Tenby Observer

Following the success of Rock The Castle 2017, a selection of my photographs appeared in a Tenby Observer feature covering the event.

The article below showcases some of the images captured during the weekend and highlights the atmosphere, performances and community spirit that made Rock The Castle such a memorable occasion.

Below is the official Press Release from The Tenby Observer http://tenbyobserver.co.uk

Enjoyed this gallery? Discover more of my Wedding, Property and Creative Photography work, or get in touch to discuss event photography across Wales.

As the official photographer for Rock The Castle at Pembroke Castle, I captured live music, crowd atmosphere and behind-the-scene moments throughout this unforgettable weekend in Pembrokeshire.

Visit Pembrokeshire

Fri, 02 Jun 2017 14:00:20 GMT

Caldey Island

Last Wednesday on an overcast foggy day, with light mist falling over Pembrokeshire, I headed to Tenby with a group of Springboard Learners. After a short walk to Tenby harbour, we boarded a boat and headed to Caldey. Caldey is a small island off the South West coast of mainland Wales, near Tenby in Pembrokeshire. With a recorded history going back over 1500 years, it is known as one of Holy Islands of Britain. The island's population consists of 40 permanent residents and a varying number of Cistercian monks, whose predecessors migrated there from Belgium in the early 20th century, taking over from Anglican Benedictines who had bought the island in 1906 and built the extant monastery and abbey. Today the monks farm the island, chiefly raising dairy cattle, and make a range of items including cheese, shortbread, perfumes and toiletries. The island also host a small chocolate factory which is definitely worth a taste and also a post office in which you can send postcards including a special Caldey Island postage stamp.

In the spring and summer, visitors are ferried to Caldey, not only to visit the sacred sanctuary but also to view the island's rich wildlife.

The boat trip takes approximately 20 minutes and sails every 20 minutes. Once landed on the island there is plenty to see for visitors. Tourist attractions on Caldey Island include the recently restored 13th-century church of St Illtyd, a Norman chapel, and Caldey Abbey, which was completed in 1910. Caldey Lighthouse is in operation and was built in 1828. The light was intended to help coastal traffic trading coal and limestone to mid and north Wales, the light also served another purpose as it helped North American traffic identify the Bristol Channel.

Caldey consists of two islands and is known for it's wildlife and we see busy bees pollinating wild flowers. The island also has many species of birds that are prevalent in the summer months. Flying over head we see birds such as the Cormorants and Gannets. Little Caldey known as St Margaret's Island is said to be the largest colony of Cormorants in the United Kingdom.

After a lovely day on the island and the weather held off for us, we boarded the boat back to the mainland of Tenby. Tenby is a walled seaside town and very popular with tourists. It is picturesque and hosts a busy fishing harbour. Tenby is also famous for it's fish and chip shops and lifeboat station.

Thank you for reading my latest blog and For more information, please check out the links provided and come visit Pembrokeshire sometime.

http://www.caldey-island.co.uk
http://www.tenbyvisitorguide.co.uk
http://www.pembrokeshire.gov.uk/content.asp?nav=107,2047,2048,1489

The Calm Before the Storm

b3vbev@hotmail.com (Bev Thomas) — Sat, 27 May 2017 18:00:57 GMT

Visit Pembrokeshire

Angle is a village and community on a narrow peninsula on the very south-west tip of Wales in Pembrokeshire. This stunning beach not only is surrounded by countryside and caravan and camping sites, it is also home to a lifeboat station which was established in 1868. The crew have received numerous awards over the years, including seven silver medals from the RNLI. The first rescue where the crew received silver medals was in the rescue of 27 people who were on board the 1878-built Loch Shiel which had run into rocks off Thorn Island.

Angle bay runs into Milford Haven Waterway which is a natural harbour known as The Haven. As one of the deepest natural harbours in the world, it is a busy shipping channel. The ferry from Pembroke Dock to Ireland and oil tankers are common sights on the horizon. Admiral Horatio Nelson, when visiting the harbour with the Hamiltons, described it as the next best natural harbour to Trincomalee in Sri Lanka and "the finest port in Christendom".

It is hard to think that in 1996, the coastline around Angle was severely affected by an oil spill from the Sea Empress. This was Britain's third largest oil spillage and the twelfth largest in the world at the time, it sadly devastated a considerable area of local coastline and killed many birds, and continued to affect the Pembrokeshire coast for years afterwards. To look at this beautiful beach now you would never know that it was affected so badly.

Angle Bay now is visited by many locals and visitors as it form part of the Pembrokeshire coast path which was the first National Trail in Wales and is one of 15 National Trails in Britain. - See more at: http://www.visitpembrokeshire.com/explore-pembrokeshire/coast-path/#sthash.9Z6XQDe0.dpuf just last night when I took these images, the beach was full of plenty of people. The tide was high making it the perfect place to launch a kayak and enjoy the waterway or just sitback on the beach and enjoy a picnic with friends. I could have been anywhere in the world but I was home, enjoying the bank holiday atmosphere in beautiful Pembrokeshire.

After such a beautiful evening of fun and laughter we play witness to the sun going down and disappearing over Thorn Island, fading the last rays of light making these images, 'the calm before the storm'.

Carew Castle

b3vbev@hotmail.com (Bev Thomas) — Tue, 23 May 2017 20:51:16 GMT

Right on our doorstep 23/05/17

Today the weather was dry but very overcast, nevertheless my group that I teach of Springboard learners from one of our local primary schools, were scheduled on a photographic course with Springboard. Their aim was to capture images of the castle in order to sell at their enterprise fayre which is soon to be held in Haverfordwest. So weather aside we set out on our journey to Carew Castle.

At the end of the 11th century the Normans extended their conquest of England into Wales and Pembroke Castle became the centre of Norman rule in South Pembrokeshire. Gerald de Windsor was constable of the Castle on behalf of Henry I, when he decided to build his own fortification on the Carew River, some ten miles up the tidal waterway from Pembroke. This became know as Carew Castle.

When I attended the same school many years ago, we learnt the story behind one resident of Carew Castle. His name was Sir Rowland Rees, he was believed to be a tenant of the castle in the 18th century, he was a well travelled man who had visited the Barbary Coast and brought back with him an injured ape he had rescued from a wrecked Spanish galleon. It is said he was able to train his devoted pet to respond to his every wish with a series of whistles.

'The story goes that Sir Rowland had one son who ran off with the daughter of a local merchant, not a union that Sir Rowland approved of.

On the fateful night there was a storm brewing. The wind screamed around the castle and the rain lashed at the windows. The ape was restless, sensing Sir Rowland's evil mood. There was a knock at the door and the girl's father, a merchant by the name of Horowitz, demanded admittance, distressed and upset that his daughter had run away with Sir Rowland's son. Sir Rowland did not believe his story and after a fierce argument he released the ape from its chains and ordered it to kill Horowitz.

The merchant fought off the ape and, although badly injured, managed to drag himself from the room. He shouted for help from the servants who tended him for the night. Horowitz cursed Sir Rowland with an evil fate and, as he cursed, great piercing screams were heard from the tower room. The servants, who were terrified of their master, were unwilling to venture into the tower room to find out what had happened.

At first light the following morning they summoned up the courage to enter the silent room. There, lying in a pool of blood was the body of Sir Rowland, but of the ape there was no sign.

Legend has it that the ghost of the ape returns to the castle on dark, stormy nights where he has been seen and heard by passers-by. Why does the ape return? Nobody knows...'

This story has stayed with me all these years, and I will continue to pass onto future generations when we visit Carew Castle. This castle has always fascinated me and its always felt like a haunted castle, guess what we learn from young has a way of resignating into the future and connecting us with the past.

Bev

For more info on Carew Castle: http://www.pembrokeshirecoast.org.uk/default.asp?PID=262
For more info on Springboard: http://www.pembrokeshire.gov.uk/content.asp?nav=107,2047,2048,1489

Skomer Island

Sat, 20 May 2017 16:00:20 GMT

The beautiful Island of Skomer 18/05/17

My photography career involves mostly photographing people so I do not describe myself as a wildlife photographer, although I do love wildlife and as a hobby I enjoy photographing it whenever I get the opportunity, this week I was fortunate to visit this beautiful Island. Skomer is an island off the coast of Pembrokeshire in West Wales. It is well known for its wildlife, around half the world's population of Manx shearwaters nest on the island, along with the Atlantic puffin colony. A short boat trip is all it takes to reach this fascinating world of birds and bluebells. Departing from the boat you have 87 steep steps to climb before being greeted by the island ranger and puffins flying overhead.

Skomer is home to the Atlantic puffin, and I have to say, one of my favourite birds.

It is late May and spring is certainly in bloom on Skomer. This beautiful island is covered in a carpet of bluebells. One of the reasons why Skomer bluebells look so spectacular is because of the unusual ecosystem. Bluebells are generally found in woodland areas, and emerge so spectacularly in early spring as they have evolved to complete their life cycle before the trees have come into leaf and the light levels drop. As you might see from this image, Skomer lacks trees so bluebells have adapted to grow amongst the bracken.

Like many seabirds, the Atlantic puffin spends most of the year far from land in the open ocean and only visits coastal areas to breed. It is a sociable bird and it usually breeds in large colonies which is evident on Skomer especially at the place known as the Wick. The Wick is clearly the most popular home to these fascinating birds and visitors are asked to remain respectful and walk in set areas to not disturb the puffins habitat, as Puffins waddle, march, scurry, hop, walk right past your feet.

The Atlantic puffin diet consists almost entirely of fish, occasionally they eats shrimps, other crustaceans, molluscs and polychaete worms, especially in more coastal waters. It has been estimated that an adult bird needs to eat about forty of these per day—sand eels, herrings, sprats and capelin being the most often consumed. It fishes by sight and can swallow small fish while submerged, but larger specimens are brought to the surface. It can catch several small fish in one dive, holding the first ones in place in its beak with its muscular, grooved tongue while it catches others.

When it takes off, the Atlantic puffin patters across the surface of the water while vigorously flapping its wings, before launching itself into the air. The size of the wing is a compromise between its uses above and below water and its surface area is small relative to the bird's weight. To maintain flight, the wings need to beat very rapidly at a rate of several times each second. The bird's flight is direct and low over the surface of the water and it can travel at 50 miles per hour making it quite hard to capture on camera. Landing is awkward, it either crashes into a wave crest or, in calmer water, does a belly flop. While at sea, the Atlantic puffin has its annual moult. Land birds mostly lose their primaries one pair at a time to enable them still to be able to fly, but the puffin sheds all its primaries at one time and dispenses with flight entirely for a month or two. The moult usually takes place between January and March but young birds may lose their feathers a little later in the year.

In the spring, mature birds return to land, usually to the colony at which they were hatched. Early arrivals take control of the best locations, the most desirable nesting sites being the densely packed burrows on grassy slopes just above the cliff edge where take-off is most easily accomplished. Later arrivals at the colony may find that all the best nesting sites have already been taken and be pushed towards the periphery where they are in greater danger of predation. They also spend time standing by their burrow entrances and interacting with passing birds. Dominance is shown by an upright stance, with fluffed chest feathers and cocked tail, an exaggerated slow walk, head jerking and gaping.

Submissive birds lower their head and hold their body horizontal and scurry past dominant individuals, nevertheless they seem to keep themselves busy with no animosity considering they live so close to one another. These beautiful birds are a delight to photograph, wether they are shy or dominant, they certainly all have individual characters.

Breeding colonies of Atlantic puffins provide an interesting spectacle for both bird watchers and tourists. For example, thousands of puffins nest each year on the island and visitors can visit them via tour boats which operate during the summer months. Skomer Island certainly looks after these little birds with care and dedication. Rangers and volunteers help keep a log of all the birds. They are protected and respected enabling people like myself and wildlife enthusiasts to enjoy and witness this truly perfect sight, and for a moment become part of their world.

Bev

for more information on Skomer Island http://www.pembrokeshire-islands.co.uk/islands/skomer/

Bus Stop

b3vbev@hotmail.com (Bev Thomas) — Mon, 10 Apr 2017 14:54:49 GMT

The Stationary Journey

Ever sat on a bus, not able to move anywhere? I expect the majority of you have! a seven hour journey to London could have been the most boring journey, saying that, it wasn't. It was early morning when I climbed aboard the megabus that departed from the local ferry terminal. Outside was pitch black, all I could see where the empty seats around me and two boys chatting away. They were chatting about their weekend and student life in general, clearly one mutual friend they were discussing was the joker of the pack and seemed to entertain them on various occasions. I was not being nosey, I just couldn't help but hear and it did pass the time away, now and again I would smile to myself, listening to their stories. Eventually they both fell asleep for a bit, the bus was still fairly empty so I closed my eyes too. I woke up as we approached our first pick up stop.

Then it dawned on me, I have internet and instagram therefore hoping that the outside world would follow my journey. Every bus stop we pulled up to, I felt the urge to take a photograph therefore documenting my ride. In a documentary style approach, I captured each pick up from my stationary position using only an iPhone looking out of the window.

I uploaded to instagram, one image per stop. My existing followers and new followers interacted to my surprise, and the hits kept coming. As a visual artist/photographer, It certainly gave me support to carry on capturing what I could see right there in front of me.

So why did I choose the megabus? well it was simple, I felt although the journey was longer there was a driver onboard someone who kept an eye on the passengers, so as a female travelling alone this made me feel safer than perhaps the train plus it was also a cheaper option which is definitely a bonus in this day and age.

I arrived in London and was once able to move about again, and get on with my business.

After attending to business in the city, it was time for me to do the stationary journey again and head back home. This return was quite different to the previous trip. I knew boarding would be considerably busier from London Victoria station, so I stood in a queue and waited to board. I found my seat and made myself ready for the long journey ahead. There was an empty seat next to me and I had no doubts it would get filled. This is when I met Antonio, he was an Italian business man with a fairly good English dialogue, perhaps at times not understanding every word, to which he would show me his translation on his phone, I then understood. He was visiting the UK to open a chain of Italian restaurants, with one in London and one opening soon in Cardiff, the name 'Ciliegino'. I spent the whole journey talking about his company and his dreams to open more in the UK, guess the other passengers heard too. He asked what took me to London and I explained I was a photographer. We exchanged details and in future, I maybe able to help with advertising by creating some food photography, and fingers crossed I can eat the pizza afterwards.

So why have I wrote this blog, although at times we might be alone and travelling in a stationary position, a photograph, a smile, a conversation may just help you get through those boring hours and that doesn't cost anything. You never know who you might meet along the way. Who knows one journey can lead to another in future!

Bev

https://www.instagram.com/bevvypix

Creative Wedding Photography

b3vbev@hotmail.com (Bev Thomas) — Tue, 04 Apr 2017 14:24:25 GMT

London Calling

Exactly one week ago, I made the journey to London to capture these moments. I joined on the megabus for the long journey ahead. Not actually being able to stop myself shooting from a stationary position, I find myself snapping away with my iPhone all the bus stops on-route. I expect this will appear on my blog in due course. I arrived in London, then jumped in a black cab and headed to my hotel. Black cabs are definitely the only way to travel around London, if you do not really know what bus to catch. We meet up around 4.30pm to start shooting this amazing couple at various landmarks. Using OCF I get to create some eye catching images, shooting well into midnight.

The full set of images can be seen in the wedding gallery or at https://www.facebook.com/beverleythomasphotography/

Inspiration

b3vbev@hotmail.com (Bev Thomas) — Mon, 10 Oct 2016 17:01:54 GMT

Bevvypix recreates Cindy Sherman with Lego

As many of you already know, I began to photograph myself in the form of lego as another way to explore self-portraiture and record daily life. The lego is a way of expressing how I am feeling and one image I captured looked almost like a Cindy Sherman image, this was the start of this series. I suddenly thought what if I could use some of her influential photographs to recreate lego pix photographs for my ever growing Instagram page @bevvypix https://www.instagram.com/bevvypix/?hl=en and put my lego selfie into similar type images within my own daily life.

Probably one of the most well known female photographers who contemplates boundaries and breaks the rules is Cindy Sherman. Her images are based on the theory that is perceived as stereotypical within our culture. She captivates us into what she asks us to contemplate our own thoughts. Sherman invites us into her performance of her work, which is representational and she addresses identity issues that perhaps some would argue that she holds a dark reality.

She calls attention by the way she structures her photographs by using herself, which offers the viewer the opportunity to understand why Cindy Sherman perception of visible reality was documented in this way. She is both subject and object in relation to her images, what is interesting is that there is no self in her portraits because she plays a role and we are merely spectators … Her choice of lens by focal length and working f/stop alters the relationship between herself in the frame and create the fantasy. What we begin to experience is the reality, which has controlled the fantasy. The fantasy protects us from being consumed by the real and reality itself can activate an escape from the real.

The importance of seeing yourself ‘visually reflected’ will explain why people choose to like Sherman’s work and Actors in movies, can they relate to a character in her images or on the cinema screen as it reminds the viewer that they are like us, we can identify and reinforce our sense of self.

Undoubtedly Sherman is a contemporary master of socially critical photography. Her work is either loved or disliked, her ability to take herself and transform into someone else, you will agree is pretty genius. I for one admire her artistic approach and her photographic vision. I would hope that if she ever came across my work she would feel that I portrayed her well in plastic.

So for those who understand and for those who are a little confused as to why I have been posting images of lego recently, this might explain a few references. To put lego me bevvypix into various scenarios has been a challenging and fun series to personally create. Many if not all my images have been taken using an iPhone, they have been edited using the iPhone and uploaded using the iPhone. For me, they are visual reminders of a great artists work.

https://www.instagram.com/bevvypix/?hl=en

BA (Hons) Photography Degree Show

b3vbev@hotmail.com (Bev Thomas) — Mon, 06 Jun 2016 17:18:52 GMT

The Seven Deadly Sins, Self-Portraits.

My recent work has recently been influenced by well-known female photographers, subsequently refining my own visual and conceptual vocabulary that has emerged through my focus on a completed series of self-portraits.

I turned the camera and chose to put myself in the frame. I was influenced by the idea of becoming my own subject. I wanted to explore issues of the self, reality and fiction. My photographs are portraits in various scenarios that have been created and combined to evacuate a story.

The seven Images from this series are currently on display at http://www.theprintspacetrajectory.com/graduategallery/ along with other graduates work.

As you can probably guess, a lot of thought process and personality evoked this series, I am so glad that I challenged myself and I am so proud of what I have achieved. More images can be viewed from the home page under Self-Portraits or on my Facebook page https://www.facebook.com/Beverley-Thomas-Photography-177997148891854/

Bev

Degree Show

b3vbev@hotmail.com (Bev Thomas) — Thu, 12 May 2016 17:32:42 GMT

Students work on Display

So as many of you already know, I have been back to University to complete my BA Hons Photography Degree. That time has finally come in which I wait and anticipate my final results and put on a show. With one week to go until students work goes on display for the public to view. We have worked so hard this term in all departments at Carmarthen School of Art. Not only have we completed intensive research in order for us to make our images come to life but we have also had to get studio space ready and change a working studio into a gallery fit for display.

My recent work has been influenced by well-known female photographers, subsequently refining my own visual and conceptual vocabulary that emerges through my focus on my completed series of self-portraits.

I turned the camera and chooses to put myself in the frame. Combining my self-portraits with stock images to reflect the seven deadly sins. I was influenced by the idea of becoming my own subject. I wanted to explore issues of the self, reality and fiction. My photographs are portraits in various scenarios that have been created and combined to evacuate a story. Which leave a question, ask yourself "How does your truth and perception of yourself and reality differ from that of others?

The show opens to the public Saturday 21st May 2016 and is open daily until June 3rd. It would be great if you can pop along and see our work.

Bev

Self-Portraits

b3vbev@hotmail.com (Bev Thomas) — Fri, 01 Apr 2016 12:54:29 GMT

Test Shot in preparation for Final Show ...

As many of you may be aware, I returned to University after completing my HND in Design Photography 18 years ago. During the years I had a strong desire to go back to complete my BA Hons in Photography. On many occasions I have been asked why? I can not really answer why, I just felt that I have always wanted to, (a tick off my bucket list as to speak). The year is nearly at an end and I have chosen to take on a series of self-portrait images to go on display in the final show. These are test shots and not the actual images for the exhibition, I thought I would have a play and see what they would look like on the cover of a magazine, just for fun.

I have styled these images myself, the Make-up, Hair and outfits. I am also the photographer and the subject. It has been a challenge because I am not a model by any means and I have always been more comfortable behind the lens . In all my years as a photographer I have never set upon photographing myself in this way, so it has been a personnel process and one I am glad I took on. I have taken my influence from one of the most influential photographers of her time Cindy Sherman and now I can put myself in her shoes and I began to understand why she completed work as she did. She created her self-portrait by making herself ugly and taking her reference from what she saw around her and in magazines, her images depict different characters whilst still being her underneath at the styling. I wanted to do the opposite of the ugly and create a dark beauty type of look to my own work. I am therefore putting myself up for creative criticism and opening up my thoughts, Scarey I know.

Saying all that and working through the fact that I am now looking at myself in a different context, like finding it hard to believe it is actually me. I have to say I am really pleased with how they have developed, the actual whole process has provided me a personnel challenge and I now can put myself in your shoes and understand how you feel in front of the camera. I begin to look at this series of images in a new light and I am proud to say that I have completed my goal, I will be sharing the series soon, once they have been on display at the Exhibition.

Thank you for following my blog
Bev x

Movie Time

b3vbev@hotmail.com (Bev Thomas) — Mon, 15 Feb 2016 18:53:45 GMT

Stills Photographer visit

A few weeks ago at Carmarthen School of Art, Coleg Sir Gar, I was fortunate to meet an fellow ex student who now works in the movie industry as a still photographer. His name is Giles Keyte. Giles started his presentation to all students in the photography department with an images that he shot. Whilst studying his HND in Photography, he won an award for a competition run by Levi Jeans. Giles then spoke about how he got into the film industry and worked his way up from the bottom.

During the slide show presentation, Giles showed us images from a selection of movies that he has worked on including Star Wars - The Phantom Menace, Fast & Furious, Fury staring Brad Pitt and the recent about to be released on Dvd, The Martian staring Matt Damon. Although he has worked with a lot of actors and actresses, he told us that sometimes it's far from glamorous. During shooting Fury, he showed the students images where he was covered in mud, shooting on cold damp days. His kit was subjected to the elements and at one point one of his still cameras actually found the floor, not great when you have expensive equipment.

A very interesting insight into the world of still photography, from the transition of film to digital and the way he works. Along with all the pressure and deadlines in the film industry, I could see he loves his job and very good at it too.

To follow Giles check out his website and Facebook page gileskeytephotography http://www.gileskeyte.co.uk

Image credits: Fury Image by Giles Keyte. Other images Coleg Sir Gar

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